Well, if you are concerned about looseing audio or voice conversations, things that have constantly changeing Q dont get canceled. Its really pretty simple, you just find the offending freq on an osilicope useing a full range microphone for the input signal. Often there will be 2-3 differnt frequencys in a noise that stand out, sometimes all harmonics of eachother, sometimes random. Anyways, you then take some el-cheapo source for microphones, i like to break the ear pieces off a $1.99 pair of head phones and use them for microphones. So, you play a tone through the mircophone/speakers with a tone generator while monitering the output signal (useing a "ballenced"(dont get me started) mic) on a different channel of the scope. When you find the biggest returned amplitued, you know you found your resonate Q for the headphone speakers, once you know it, you look at what freqs you wana cancel and add weight (drops of epoxy, superglue, whatever) to the diaphram until you get as close as possible to the offending freqs. So, now you have a few microphones that are super senstive to detecting the main freq components of the noise that bothers you. So, you just play that signal inverted 180deg (out of phase, aka, cancelation wave) into little op-amps, and make a phase shift circut on the input signal. Play the output of each amp into a cheapo speaker that is well suited to playing the frequency you wana cancel. You could do it all with one little speaker, but it wouldnt work as nicely. Anyways, so you stick this little deal, perhaps half the size of a shoebox or so, as close as possible to the things generateing the offending sounds. Doesnt have to be really close becuase you have phase shifting control, but it does help. Anyways, make sure the speaker and mic are faceing the offending sound source(s), and listen. It shouldnt be doing much anything but makeing more noise at this point. So, this is where the phase shift knobs come in, listen, and adjust the knob, its basically compensateing for distance, along with the delay in the amp signal proc, etc. Anyways, you turn that knob and POOF, all of a sudden that part of the sound CHANGES, not dissapears, but distinctly changes. This is when you know you are dead nuts on being out of phase. So, now you simply adjust the gain signal with a little pot or whatever inline with the mic until the amplitudes are matching, and POOF, now that part of the sound is GONE! Its cool to hear(or rather, not hear
) it working for the first time, it seems like magic. Anyways, you do the same deal with the other channels to stop the remaining offending freqs, and its done. It would likely draw <5watts, and not need any maintence or dorking with after initial setup (unless the sounds its trying to cancel change).
Anyways, with the mics tuned to resonate at the Qs you are looking to cancel, its not going to cancel talking or music at other freqs hardly at all, but if you want it to be perfect, I could build in a narrow high slope crossover pretty easily inline with the signal to block out other noise from entering the amp, but it really wouldnt be needed.
If any of you guys are into high end audio, we should talk. I used to build custom super high end tube amps and normal amps in highschool for a little cash to experiment with. I have also built my own speakers, but they were for the totally retarded purpose of achieving max SPL in car... Man, the stupid things you do for money as a kid...
But yeah, I'm about 9/10th of an EE, and the 1/10th I'm missing is the digital programing BS that I hated, and isnt a part of proper audio, so if you want help picking equip and seeing through the 95% BS audio market, let me know.